“Puddler’s Lunch Break” by Sutton Betti
Out With the New, In With the Old
“What is all the fuss about?” Those were not the words that artist Sutton Betti had in mind when sculpting “Puddler’s Lunch Break”, a monument installed in Boulder City, Nevada. However, the statue created a lot of controversy in this small town 20 miles south-east of Las Vegas and home of the second largest dam in the United States.
The monument was created to honor the workers of Hoover Dam whose job it was to pour and smooth layer upon layer of concrete in what would be, at the time, the tallest dam in the world. The statue came with an expensive price tag and many of the town citizens were upset that the project happened despite budget cuts. But it was the classically inspired sculpture that eventually won the people over as it serves to educate the many tourists who visit Hoover dam.
Sutton Betti, born and raised in Davis, CA is the artist that created Puddler’s Lunch Break, a monument showing two workers telling stories during a lunch break while building the dam. “Although these guys lived during the great depression they were not unhappy people as they were the lucky few who had jobs. I wanted to show them happy.” Now living in Colorado the artist makes his home in one of the worlds largest exporters of bronze sculpture Loveland, Colorado. Although a small city of about 70,000 people it houses more sculptors per capita than any U.S. city and is known as the gateway to the Rockies. With four bronze foundries, a stone quarry and dozens and dozens of independent specialists in the bronze business, Loveland is a unique city for a sculptor to live and work in. Betti finds comfort in being surrounded by many of the nations most notable sculptors including Jane Dedecker, George Lundeen and Kent Ullberg. “These are artists whom I’ve admired for many years. Artists who have created monuments all over the United States and now that I live here I get to learn from them and see how they work.”
Betti’s work is classical and he has an appreciation of the old masters that goes back to when he was a teenager admiring a book on Michelangelo that his grandmother gave to him. He remembers going to Italy to study marble carving from master stone carvers and developing a deep appreciation of this long tradition. “It was as if what was being taught to me was something that will soon be forgotten and these were men who were carrying on their backs hundreds of years of knowledge in marble carving”. In fact, many of the master craftsmen spoke unfavorably of the influence of modern and abstract art as if it were one of the reasons behind the loss of interest in stone carving, Betti says. Up until the turn of the century sculptors would hire these skilled artisans to create their monuments in stone. But today, with an influx of different abstract and modern art styles, these men are hard to find as they are no longer needed. “The human figure in art up until the late 19th/early 20th century was very common. After the impressionists came about that all changed.”
Although Betti was surrounded by abstract and modern art for most of his life, he found something more meaningful and challenging in creating a realistic portrayal of the human body. “There is so much freedom and expressiveness that can be created in a human figure. Once you learn the basics of anatomy you can pretty much do and say anything you want.”