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For the last few weeks, all twelve of the sculptures that are going to be installed at American Veterans Park in Nebraska were in danger of becoming a french brown or black patina. These sculptures were all designed to have some color in them and a brown or black patina would have gone against my original designs and diluted the meaning of many of the sculptures. Over several meetings the design committee was split evenly, half of them were for it and the other half were very vocally against it. I was not in these meetings, but last night I was asked to write a letter that explains why I would choose the colored patinas on these military sculptures for a meeting the following day. The committee was going to be absent one person who was pro-color so I needed a miracle.

Below is what I wrote to explain why I wanted color in the sculptures.

Committee members of AVP
I have been aware of the discussions regarding patina choices on the AVP sculptures and I would like to express my thoughts on why various transparent and opaque colors were chosen in the designs compared to a traditional french brown or black patina.

#1 Although each sculpture might have a color that is different than the sculpture it is next to, it is important for each sculpture to be seen independently and not judged on cohesiveness as a group. While the entire design of the park will be viewed as one whole, those individual elements themselves (concrete, granite and bronze) should not be. For example, there are two colors of granite in the park. Is that a bad design? Should ALL of the granite and concrete be one color? I think all of us agree that it should not. Comparitively, by lumping all of the individually designed monuments into a similar color or tone will greatly affect the uniqueness of each individual sculpture. For example, present arms, Marine will look too similar to the present arms, Army. This will take away from the unique 4 generation gap. The color difference on these two sculptures, in my honest opinion, helps people to see the two statues for what they are and invites them to spend more time in the park.

I am aware that having some form of consistent color is the topic of discussion. However, I believe that what would make AVP unique among the other veteran parks is not how much the statues look like each other, but how much individuality and power each one has. People connect with color, so lets use color where we need to to help communicate our message.

Sutton

Returning Home (life size) was designed for American Veterans Park in West Point, NE to be one of two sculptures that tells the story of love and loss. While this sculpture tells the story of love of family, Gold Star Wife (not pictured) tells the story of loss.

A complex, three figure composition Returning Home shows the moment the husband has come home from war and is embraced by his family. They are hugging each other and the sculpture is supposed to evoke the feeling of what it is like for military families that have to endure separation and uncertainty.

With this sculpture I had an opportunity to apply what I’ve learned over the years regarding composition. When I compose a sculpture I am always conscious of how a viewers eye is lead from one section to another. With most of the single figure sculptures it can be difficult because you are dealing with one body only. In this sculpture, however, I had the opportunity to have a unique visual focal point; the gaze between the man and woman. When we first look at the sculpture our eyes immediately go to their faces, first the woman, then the man and back and forth a few times (hopefully). After a few moments ones’ eyes are then directed downwards towards the little girls happy embrace. The cascading arms help to lead the eye down towards the girls face to see that her expression, although different, reflects the couples smiling faces. Then our eyes move back up towards the main focal point or around to various smaller focal points, such as the hands located throughout the sculpture or the poppy that the woman is holding.

In most of my favorite sculptures of historical importance there is one other element that might seem insignificant, but in essence is really important for making a work of art easy on the eyes: having a visual element that leads the eye OUT of the artwork. That is so the eyes, and viewer, can leave at anytime, although they don’t have to. This might seem counter-intuitive to have a place for people to be able to exit the sculpture. But I think of this as like going to a party (at least for me). Imagine you were immediately transported to a party where you knew no one. It would seem that they are all wonderful people but there is one thing that would really put your mind at ease and possibly even make you feel more comfortable. Knowing where the EXIT DOOR is. Whether consciously or subconsciously you would probably immediately look for a door if you were suddenly transported there. In my mind, the same thing happens with artistic composition. While having a well done focal point is probably THE most important part of a design, you also need a place that provides a safe exit. And, on Returning Home, this place of visually exiting the artwork is through the woman’s two feet. They are pointed away from the sculpture and down towards the separately casted heels, breaking the circular composition throughout the sculpture. This is communicating with you, visually, that you are welcome to leave at anytime. But, of course, I hope that you will stay for a while.

The bronze casting of Present Arms, Army (photo) is currently being assembled by the skillful team of Palm, Inc. in Loveland, Colorado. The 200 lb. bronze casting is 5’10” tall and will be permanently installed next to a US Marine Honor Guard for a Veterans Park in Nebraska.

Present Arms, Army is a Korean War era US Army Honor Guard who is holding an M1 Garand rifle. The sculpture was modeled after a Korean War Veteran named Harold. I worked hard to capture Harold’s likeness but I was also concerned with making sure that the sculpture would look like he was pulled right out of the 1950’s. Therefore, it was important for me to study some of the illustrations from that period and one artist in particular became very useful, J.C. Leyendecker.

Leyendecker was famous for his illustrations for the Saturday Evening Post and is one of my favorite illustrators from the Golden Age of Illustration. What he excelled at and was known for was his unique depiction of the male figure. Whether it was an athlete, a business man or a soldier, a Leyendecker Post cover represented American standards of beauty.

Since I’ve had a little down time before installation next month I decided to sculpt a life size clay bust of a friend of mine and fellow bronze sculptor, Bez. I still have work left to do on the backside and profile views, but it is getting there. At this stage I’m only 18 hours into the clay work which doesn’t seem like much. However, when you are focused and zeroed in on getting things as accurate as possible and constantly critiquing the likeness, 18 hours can be a long time. Usually after a sculpting session my eyes will start bugging me and can get a little blurry which means it’s time to take a break and look off into the mountains or someplace far away.

Before I began the clay work I took accurate measurements from the model, such as the width from the outer edge of iris to iris, tip of nose to chin, etc. These measurements are 75% of the work right there. Once I have these important measurements for creating a convincing likeness, I take several hi quality photos making sure to keep the same distance from model to camera (about 6 feet apart) since perspective can distort how a person looks depending on how close the model is to the camera.

I’ll post more pictures when he is completed.

Present Arms, Marine is a 70 inch tall bronze sculpture that was designed to be installed at the entrance to American Veterans Park. He will be positioned 20 feet opposite an Army honor guard from WWII and both sculptures will greet visitors to the park that will honor all veterans of the military and service member families, as well. Installation is set to take place late May 2018 and a formal unveiling for the new park will take place later this year.

Gold star wife was designed to tell a visual story of loss. The sculpture of a grieving woman clutching a US folded flag to her chest is designed to be a partner sculpture to Returning Home (background), which shows the family of three embracing upon the husbands returning home from war. Gold Star Wife will be kneeling in front of a military headstone made of grey granite. Red poppies symbolizing remembrance will lay in front of her as though she has placed them at her late husbands grave. The two sculptures will be cast in bronze and unveiled on Gold Star Mother’s Day, September 30, 2018.

This recently completed sculpture Remembering the Fallen will be installed at Fremont, Nebraska Veterans Memorial Park in May 2018. The life size bronze sculpture depicts a modern day soldier (in particular a US Marine during the early to mid- 2000’s) holding a folded U.S. flag and was designed to reflect the city’s unique way of remembering our fallen soldiers. Every year “Avenue of Flags” (a local organization in Fremont) lines up hundreds of U.S. flags along Military Ave. to honor those who served. The event is held every year on Memorial Day, Flag day, Fourth of July, Labor Day and Veterans Day. These flags are significant because each of them has been, at one point, draped over the casket of a veteran and each one therefore represents a veteran who served through many different American wars. It is a patriotic and unique way that the city honors our veterans.

Fremont’s Veterans Memorial Park will be located along Military Ave and construction is expected to be completed in the next few months. The park was designed by West Point Monument and I was commissioned to create the bronze sculpture that will help connect the Avenue of Flags ceremonies and the new Veterans Memorial park.

As I’ve written about on previous blog posts, I’m creating the sculptures for American Veterans Park that will have 8 of my bronze statues and 2 large scale aluminum reliefs installed in this beautifully designed veterans park designed to honor the brave men and women who have served our country. I began work on the sculptures the day after I returned from my trip to Europe and have been going non-stop since, now more than half-way completed. I am currently working on, what I believe, will be one of my finest sculptures called Gold Star Wife. She is clutching a folded flag and kneeling at her late husband’s military grave marker. She has just laid down red poppies, which are a symbol of remembrance. On the backside of the grey granite marker will read “One nation under God: The strength of our nation is our military. The strength of our military is our soldiers. The strength of our soldiers is our families. We recognize that no one has given more for our nation than the families of our fallen.” All ten sculptures will be finished and unveiled on Veterans Day 2018.

 

Next week will be the patina application at Art Castings of Colorado for this sculpture Remembering the Fallen. The life size bronze sculpture was commissioned for Fremont, Nebraska’s Veterans Memorial Park and it will be permanently installed and unveiled on Memorial Day 2018.

The sculpture is a US Marine holding a folded flag and is designed to honor our fallen brothers and sisters who made the ultimate sacrifice for our freedoms. The soldier will be kneeling in front of a fallen soldier battle cross.

I rarely like to show works in progress let alone proposals I’ve made before actually sculpting them. However, this one is one I have been looking forward to since July 2017 when I made this drawing and I am FINALLY beginning work on her so I figure why not show the concept. The life size bronze sculpture will be called Gold Star Wife and will be, what I hope, a poignant tribute to sacrifice when visiting American Veterans Park in eastern Nebraska. The 1/4 acre park will honor veterans and their families of the U.S. Armed Forces; the Air Force, Army, Coast Guard, Marine Corp and Navy paying respect to God, Country and Family. Towards the backside (east end) will be a section for remembering the fallen. Five folded flags will be atop five black granite columns with inscriptions etched into the granite. Just in front of this section will be Gold Star Wife holding a folded flag kneeling in front of her husbands military grave marker. She has just laid down poppy flowers which are a symbol of remembrance since the first world war. The soldiers headstone and bronze sculpture will be permanently installed on a black granite base and the monument is designed to remember those who have fallen while serving our country.

The grieving woman in Gold Star Wife will be the same woman from my sculpture Returning Home (which was finished last week in clay) and both will be located 30 or so feet apart from each other attempting to illustrate those who made the ultimate sacrifice. Although the two sculptures will not be assembled as one composition, the connection between the two will be one that viewers will make themselves when walking through the park. The separation will be symbolic of the separation the woman feels in her heart for her late husband, a man who served our country and paid the ultimate sacrifice.

The two bronze sculptures will be unveiled on Gold Star Mother’s Day, September 30, 2018 in West Point, Nebraska.